Monday, November 18, 2019

What Motivates Photojournalists

Image Source: What Is A Photojournalist?
Photojournalists as well as the other people that make up the photographic community are our eyes to the world. Whatever it is that motivates each and every one of them to do what they do, they inform us, inspire us, amaze us, and put our world in the broader context of history. According to TIME, being in the photographic community brings great challenges. “Dwindling sales, increased competition and a fragile trust in photographers’ mission to inform - too often, those factors can make those of us in that community, photographers and photo editors alike, lose sight of what drive us.” So, what drives photojournalists to do what they do? Why do they do it? What is photojournalism to them as well as to all of us?

Lynsey Addario

Photo By: Lynsey Addario
Motivation can be described as the need or reason for doing something, and can be characterized by one’s enthusiasm for doing something. Motivation drives people to do what they want and need to do, and simply what they love to do. There are many things that motivate photojournalists to take photographs; each photojournalist is motivated by something different. While some photojournalists may be externally motivated by making money and being rewarded in their careers, others are internally motivated by other things, like Lynsey Addario. Lynsey Addario primarily focuses her work on conflicts and human rights issues, especially the role of women in traditional societies. She is motivated by documenting women’s issues and making changes for women in society. Addario acknowledges that her job requires “great sacrifice.” But when she sees the impact of her work, she finds it impossible to stop doing it.  In the video Lynn Johnson Women in Photojournalism, Johnson explains, “documenting women's issues feels like a responsibility as a woman photographer.” This is an accurate explanation of what motivates Lynsey Addario as a photojournalist. As a woman photojournalist, Addario does whatever it takes to spread information about women’s issues to the world.

Don McCullin

Photo By: Don McCullin
Another photojournalist, Don McCullin, was recognized mainly for his war photography and images of urban conflict. Throughout his career, McCullin examined the underside of society. His photographs largely depicted the unemployed, oppressed, and impoverished. He, too, wanted to make a change through his photojournalism. His motivations did not simply revolved around making money or earning any external rewards. According to McCullin, motivation for photography and photojournalism needs to come from one’s passion and strong feelings about specific topics. McCullin said, “Photography for me is not looking, it’s feeling. If you can’t feel what you’re looking at, then you’re never going to get others to feel anything when they look at your pictures.” McCullin then went on to further explain his motivation for documenting poverty and those less fortunate. Compassion is at the heart of all of his photography. He said, “Photography has given me a life… The very least I could do was try and articulate these stories with as much compassion and clarity as they deserve, with as loud a voice as I could muster. Anything less would be mercenary.” If photojournalists are like Don McCullin and can focus on the passion behind photojournalism rather than external rewards, serious social reform can be possible. After reading the article, Ed Kashi and the Importance of Advocacy Journalism, the question is that while a photograph can inspire people and influence them, do all of them actually create change? Ed Kashi states that he aims for his photography to, "inform viewers but also inspire them to find activist solutions to social problems.” Kashi wanted to see change created from his photography, like McCullin. Their ability to create social change is most important to them.

James Nachtwey carrying a baby girl


Photo By: James Nachtwey
Another photojournalist that is inspired and motivated by change in the world is James Nachtwey. Though he was won several awards for his work, creating change is still what is truly important to him as a photojournalist. Nachtwey has covered conflicts and major social issues in more than 30 countries. Throughout his career, he has devoted himself to documenting wars, conflicts, and critical social issues. In putting himself in the middle of a conflict, his intention is to record the truth, to document the struggles of humanity, and with this, to wake people up and stir them to action. Most importantly, in my opinion, Nachtwey recently focused on a major issue that has been greatly impacting the people of his own country. In 2017, he set out to document the Opioid Crisis in America through the people on its front lines. The photos he had taken were then used to create TIME’s The Opioid Diaries. Since the Opioid Crisis has now become a national emergency in the United States, Nachtwey contributed to gaining urgent attention on the topic. He focused on the stories of individuals suffering and wanted to be their voice by sharing photographs of them. Similar to James Nachtwey, Felix Masi is motivated by being able to tell other people’s stories and the struggles that other people were going through. In the video, Kenyan Photojournalist, Masi says, “I could see pain through my lens but then I could see hope through these people.” Masi believed that through his work, he was helping people gain a voice and get their stories shared with the world. Nachtwey has done the same with the Opioid Crisis, which is a topic that is very important to me.

My Motivation Map
These are the things that motivate me the most. My motivation stems from what I need, what my family needs, what I want, what I don’t want, and what makes me, as well as others, happy. My future, the direction in which I want my life to go, is also very important to me. I work long hours to do what I need to do to make sure my family and I have everything that we need to survive. I also go to school full time so that I can better care for my family and I want to become a social worker so that I can help better the lives of others. I have big dreams and my future life is very important to me. I wake up everyday ready to take a step closer to get my family and I where we want to be so that we can live our fullest, happiest lives. In comparison to what motivates me, some photojournalists may be motivated only by money, for example. However, others are more motivated by leaving an impact on others and being the voice for other people. I am motivated by external rewards, such as money, simply for survival needs and to care for my family. On the other hand, I am also motivated by internal rewards, such as being happy and feeling accomplished, which are two motivational factors that many photojournalists can relate to. Many photojournalists, such as the three that I researched, find happiness in caring for others and feel accomplishment by giving voices to the less fortunate.



Tuesday, November 12, 2019

Photojournalism and Bias

Tears stream down the cheeks of accordion-playing Chief Petty Officer (USN) Graham Jackson as President Franklin D. Roosevelt's flag-draped funeral train leaves Warm Springs, Ga., April 13, 1945.
Photo By: Ed Clark

This photograph of Chief Petty Officer Graham W. Jackson playing the song “Goin’ Home” on his accordion with tears streaming down his face at Franklin Delano Roosevelt’s funeral is a perfect example of an image that represents the truth. I believe that the photographer, Ed Clark, took this photograph to capture the nation’s grief and true emotions felt by the citizens of our country at the time of his death. He was a greatly valued president, as he was the only man elected four times to the nation’s highest office. He had done so much for his country, and would be sorely missed, which is expressed very well in this photo. FDR was highly involved with civil rights in the United States, making the photograph even more powerful, emotional, and real, since a grieving African American man is the main subject. Viewers of this photo can truly feel the nation’s loss. Millions and millions of people loved him dearly, and this photograph definitely shows the truth behind the loss of FDR - the true sadness of that moment endures in history.

Obvious Main Subject: The main subject takes up around 1/2 of the photograph, so he would be considered an obvious main subject. He occupies mainly the left side of the photo. He is also up close and in focus, while the background is slightly blurred and seemingly further behind him.

Subject’s Expression: The main subject’s expression greatly impacts this photograph. It sets the mood of the photo, and expresses the feelings of great loss and sadness. The tears streaming down the subject’s face tells the story of the photograph.

Black and White: This photograph was taken during a time when color was not an easy option. Therefore, the picture is in black and white. In my opinion, the black and white compliments the photograph because this, too, sets the mood and also speaks for the time period in which it was taken.


Image Source: The New Yorker

This photograph represents the truth to me, especially because it hits so close to home. The opioid crisis in America is a major issue that is completely misunderstood and ignored by so many. It has been a problem that’s been rapidly growing for nearly two decades and is getting out of control. While the president plans to declare the Opioid Crisis a national emergency, the reaction to this has been consistently muted. Many people see images such as this one and probably brush it off, mainly because people have become much less empathetic towards addicts. As it is mentioned in How Photos Fuel the Spread of Fake News, such images can reinforce existing prejudices. However, after reading the article What are the Four Ways of Knowing, I knew that this image spoke the truth based on my sense perception and emotion/intuition. According to the article, you know certain things because you can see and perceive them yourself. Also, you know certain things because you feel them emotionally. Opioid addiction is an issue that I have experienced in my own family and the topic brings tears to my eyes; this is why this image is so real to me. The introductory article on Yellow Photojournalism states that “some of the Journal’s most notable exclusives came close to home.” This image truly expresses the horror of seeing your loved one - a wife, husband, brother, sister, son, daughter, best friend, anyone near and dear to your heart - being taken away in a body bag after losing the battle to addiction. There are no words to describe the pain I felt losing my brother to this awful disease, but this image does speak the truth about the loss of a loved one in this terrible epidemic.

Black and White: At the time when this photograph was taken, color was the original form of this photo. However, the photographer chose to change the image to black and white. This adds a dramatic effect to the photograph and also sets the depressing mood expressed in the photo.

Feelings Created by the Image: All of the people in the photograph are either looking down, sad, or crying. The feeling created by this image is definitely sadness. All of the subjects are grieving the loss of the man or woman in the body bag.

Background Compliments Photo: While the main subjects are grieving the loss of their loved one, the police officers, medical team, and other family members in the background are as well. The background adds to the emotions created by this photograph. It is all of their expressions that make the photo more powerful and meaningful.

Image Source: DEMOCRATIC PRESIDENTIAL CANDIDATES ON ADDICTION AND THE OPIOID EPIDEMIC

This photo shows voters in the 2020 presidential race pressing the Democratic presidential candidates to address the issue of the Opioid Crisis. People in this photo are holding up signs saying things like, “treatment is effective” and “people recover,” however, it is not that simple. I know this because I have first-hand experience with the crisis and have gained a lot of knowledge about the issue. According to What are the Four Ways of Knowing, "you know certain things because you can apply logics and reasoning…rationalists consider reason and logics so important, that they say that all sources of our knowledge comes from our ability to use reasoning." Therefore, this photo does not represent the truth to me because a lot more needs to be done to put an end to the epidemic. As I mentioned before, people are not doing their part. Most people ignore the issue due to the stigma associated with the Opioid Crisis. Most of these protesters think that they are making a change, when in reality, they are just being ignored. As it is mentioned in the article, How Photos Fuel the Spread of Fake News, most people believe a photograph represents reality. However, this photograph is the opposite of reality. The federal government needs to provide more funding toward the education and prevention of the opioid crisis. Also, the accessibility to opioids needs to be reduced. Most importantly, the access and quality of treatment needs to be improved greatly. All of these things need to be taken seriously - wishful thinking. On that note, this photograph does not speak the truth, in my opinion.

Color: This photograph is kept in color. It has a lot of bright colors that draw in the viewer’s attention. All of the participants are also wearing brightly colored clothing that adds to the brightness of the photo.

Subjects’ Expression: All of the subjects in the photo appear very serious and passionate about the topic. It adds to the seriousness of the photograph and says that a change needs to be made. Some even appear sad, most likely because they have a lot of experience with this issue.

Depth of Field: I feel that a lot is missing from this photograph. Not the right amount is in focus, and appears as if most of the photo has been cut off at the bottom. The image uses a very shallow depth of field.

Monday, November 11, 2019

The Ethics of Photojournalism

The National Press Photographer’s Association (NPPA), an american professional society made up of photographers, videographers, editors, and journalists, is highly concerned with the importance of ethics of photojournalism. According to the NPPA, Visual journalists operate as trustees of the public, and their primary goal is to report visually on important events happening in our world. It is their responsibility to document society and to preserve its history through images. While photographic images can reveal the truth, spread messages to the public about important issues taking place in our world, and inspire people, photographs that are intrusive, manipulated, or untrue can cause more harm than good. 
Photo By: Nathan Weber
Image Source: Photojournalism Code of Ethics

The NPPA acknowledges the concern for ethics in photojournalism and has created a code of ethics which are “intended to promote the highest quality in all forms of visual journalism and to strengthen public confidence in the profession. It is also meant to serve as an educational tool both for those who practice and for those who appreciate photojournalism.” According to the NPPA, photojournalists and others involved in visual journalism should follow these specific code of ethics and are responsible for keeping up with these standards in their work:

In my opinion, photojournalists should follow the same code of ethics as everyone else. Therefore, I appreciate the code of ethics created by the NPPA. It is important for photojournalists to have specific guidelines to follow, especially when entering a work environment that may not be ideal. In other words, when photojournalists find themselves taking on an assignment that involves them being in areas of conflict, challenging the ethics of photojournalism, having a code of ethics to follow is very helpful in these situations. 
Photo By: Kevin Carter
Image Source: Photojournalism Ethical Crisis

I had researched some powerful photographs that are definitely ethically questionable. For example, one of the photographs I came across was taken by Kevin Carter, showing a starving little girl being stalked by a vulture behind her, as she was crawling to get food. Although the photograph was very successful and even won the Pulitzer Prize, it was revealed that Carter did not immediately photograph the little girl. In fact, he waited roughly 20 minutes before capturing the moment, which made people question him about why he didn’t bother helping her, and instead just watched her suffer and become threatened as a target for an animal, as if she were an animal herself. It became obvious to the public that this photograph was only taken for Carter’s job as a professional photojournalist and not to help with the issue. He truly did not pay any mind to this little girl’s well-being, and just stuck around to capture that “perfect” moment. What makes this case so interesting and shocking is the fact that Carter actually received so much criticism about the photograph that all of the guilt and depression ultimately lead him to committing suicide a year later.
Kevin Carter’s situation with his completely unethical photograph completely violates my own personal ethics. I strongly believe in being compassionate and caring towards others, especially when they are suffering. I could not imagine seeing someone helpless in front of my own eyes, and not stop what I am doing to help. From one human being to another, I would have absolutely stepped in and took the girl to a safer environment. Also, as a devoted mother to my child, it would be completely inhumane and unethical for me to leave another child in danger. Therefore, I believe that the way Kevin Carter photographed this little girl would violate nearly everyone’s personal ethics because it is safe to say that most people’s personal ethics and values, including mine, consist of respect, responsibility, and being caring and compassionate towards others.
My Ethics Map